Detailed Timeline

Common Sense Networks

Passionate about the ebbs and flows in media programming, I joined Common Sense Network's new children's streaming service Sensical following my time at NBCUniversal. There, I worked as a content moderation coordinator where I led a team of education and media specialists to review content for our streaming service (Sensical) and partnerships (e.g. TikTok STEM, YouTube). This role required constant, clear communication of company policy and a problem-solving mindset to find opportunities in obstacles. I conducted industry research and content analysis to provide our partnerships with effective strategies using presentations and written memos. Additionally, I worked across departments (Acquisitions, Sales, Content Operations, Programming) to ensure project completion along our pipeline.

• Led a team of 20+ education specialists in moderating traditional, streaming, 
and digital long and short-form content 
• Assessed pitches for streaming suitability 
• Managed TikTok STEM partnership by quality controlling 5,000+ videos per week
• Executed deliverables for multiple-year key partnerships
• Interpreted metadata using proprietary CMS to create reports and identify gaps for improvements

• Managed project completion across Acquisitions, Sales, Content Operations, and Programming departments to provide new, exciting programming to young viewers.

• Conducted industry research across new digital media, video games, and traditional media to keep our priorities fresh and relevant.

NBCUNiversal

I was part of the East Coast Page program for NBCUniversal in May 2019. During my ambassadorship months through the year long program (about three months), I led over 100 tours of the studios, guided hundreds of audience groups to "The Tonight Show starring Jimmy Fallon" and the "Late Show with Seth Meyers" and assisted in preparing The Today Show Plaza during the weekdays for visitors, all while learning about the various facets of the organization’s work. Below is a detailed list of my responsibilities

assignments:

SYFY WIRE DIGITAL / EDITORIAL

• Point of contact and project manager for daily reactive social/editorial

  meetings 

• Catalogue all IP-related SYFY articles and associated social media 

  for booking team’s reference 

• Strategically place promos, bugs, and snipes across CNBC platforms for

  Scheduling department  

• Work directly with manger of editorial and production team on 

  assembling pitch decks for IP coverage prioritization

• Code and sort invoices using Snap and Airtable

CNBC primetime Marketing

• Communicate with Media Planning, Program Strategy, Creative Services, 

  Marketing, and Scheduling departments to collect and distribute promotional spots for strategic partners  

• Manage merchandise orders from ideation to fulfillment for giveaways, 

  events, and company meetings  

• Strategically place promos, bugs, and snipes across CNBC platforms for 

  Scheduling department via Sintec and Webscheduler  

• Research, prepare, and present weekly newsletters featuring new ad 

  campaigns and media trends  

• Collaborate with editors to create custom content for airline partners 

• Create visual concept decks for Creative Services department

• Book flights, cars, and coordinate travel for VIP guests during 

  The Profit Season 7 Premiere Watch Party

bravo & oxYGEN pROGRAM PLANNING

• Maintain and update short and long-term program rollouts, weekly grids, 

  rating summaries, and viewing trackers for research, program planning, 

  and competitive meetings 

• Research and present weekly competitive news for SVP, VP, and Lifestyle 

  Entertainment department 

• Update listings and program metadata using Compass, Telly, and Excel 

  spreadsheets 

• Schedule marathons, stunts, and promotional programs for Bravo & Oxygen 

Lotus ENTERTAINMENT

During my senior semester of college I was a Sales, Development, and Production intern for LOTUS ENTERTAINMENT, a studio in Los Angeles that produces a variety of domestic and international film and television projects. While there, I performed administrative duties, script coverage, pitch deck polishing and creation, meeting scheduling, email correspondence, etc. Overall, this internship has developed both my creative and business mindset, cultivating a willingness to dive straight into the fast-paced environment of the media industry.

The Studio

A creative space and media incubator, the studio operates in giving students an opportunity to experience the realities of the work involved in bringing a creative vision to a financial reality. From 2017 to 2018, I was the director of creative acquisitions where my duties included: Collaborating with other student execs on The Studio's events/workshops/projects, Analyzing and assessing pitches for creative and financial feasibility for development and production, and Constructing contracts for accepted pitches.

In November 2017, my role as especially pivotal during our "Pitch It to Produce It" competition. As the Content Acquisitions Director for The Studio, I was responsible for scouting and reviewing student pitches based on The Studio's creative, financial, and brand guidelines, selecting six to pass through the first stage. I then collected their treatments (for which I designed and gave guidelines for) and promotional videos for the second round of judging (in which all studio execs had a say), and prepared pitchers for their presentation during the event. In addition, I assisted in creating the event's schedule, set-up, and organization, and collaborated with industry alumni for the final round of judging during the event as well.

mEDIAVERSITY

I have also written a variety of television reviews for mediaversity, an online organization that analyzes and critiques tv shows and films based on their understanding and handling of quality, race, gender, and lgbtq topics.